janeiro 22nd, 2010

Lucifer sonambulo (João Brasil) by lontramusic

janeiro 21st, 2010

janeiro 21st, 2010

janeiro 21st, 2010

Coachella

dezembro 22nd, 2009

Ceu Eldorado

By Bruna Castanheira

On December 9 the Arts Theater in Sao Paulo opened its stage to receive one of the Brazilian popular music songstress, Céu, who is currently considered the most interesting singer of her generation. Through the all show, Céu showed an extreme security as a singer, she presumed a voice without any mannerisms that would make you think she’s been at it for a long time, ever thought her career is relatively short.

Surrounded by incredibly talented musicians, she presented one of the most awaited Brazilian music creations of the year, her second album titled “Slowly.” Both of Ceu’s albums have shown a particular fondness for African heritage sounds by always stressing the Jamaican rhythms. Some of the highlights of the show were when her and her band performed songs from the previous album. Also, when she sang a wonderful version of Jaca Visgo from Brazilian famous Martinho da Vila’s repertoire.

I hope that by my photographs you might be able to realize how captivating this artist is on stage.

Click here for the full SPIN Earth photo session

dezembro 22nd, 2009


Directed by: renancostalima.org e marcelogomesphoto.com

dezembro 2nd, 2009

Once a month radio-Worldmusic-specialists from twentythree European countries select their individual top ten favourites out of current Worldmusic releases from their playlists and mail them to Berlin. The nominations are processed in a data-base and the top ten is then published as the WORLD MUSIC CHARTS EUROPE.

This month, Vagarosa reached #1!

wmce

novembro 25th, 2009

Ceu & Herbie Hancock

novembro 25th, 2009

Click to see the full size picture
Céu Sunday Times

novembro 24th, 2009

ByDavid Honigmann
***

“Don’t take yourself too seriously, pa-pa-pa-pa-pa-papa used to tell me … ” The Brazilian tropilectro singer Céu clearly took the advice to heart.
Familiar Brazilian tropes, from languid samba to wild whirling horns to sleazy organ flirtations, are distorted and made strange. The opener, “Sobre O Amor E Seu Trabalho Silencioso”, starts as a duet for voice and cavaquinho, but ends submerged in the crackle of old vinyl; dub textures slip and slide; blitches and gleeps bubble up under the most fragile of melodies.